YOU by Caroline Kepnes
Narrated by Santino Fontana
Sick
Listening to YOU will force you into a season of
introspective self-loathing and disgust, especially if you make it all the way to
the end. This book has no silver lining no pot-of-gold reward at the end of the
non-existent rainbow. YOU is undiluted and unremittingly debased depravity from
start to finish. And, yes I did finish, so that explains why I am so negative
in my descriptions here. Delving into this book forces the listener to tap into
the lexicon of derogatory and morose words that are, admittedly, so great to
find something to use them on that one can look fondly upon the material that
caused you to dredge them out.
Think of this audiobook production is a sociological
experiment on the mind—your mind. What could a writer do to make the listener be
willing to Masochistically torture themselves for days; immersing themselves
into the twisted and depraved mind of a narcissistic serial killer? First the
story would have to be told in the first person and be peppered with flecks of
truth that even normal people could relate to. Then the reader could be taken
in by setting the story in the world of books. Who doesn’t like a story about a
book lover? The characters would necessarily need to be realistic to a degree.
The demented stalker would share the opinion on many readers by being a quick
judge of character, able to see through Ivy-League educated, hypocritical rich
spoiled brats and to make sarcastic comments about them that make you feel
smug. Right away you can relate to the protagonist in at least one aspect; so,
later, when he is revealed to be a sick pervert the listener will not
immediately abandon the book for something light and uplifting. Now the most
critical element comes into play: we must find a great narrator—no, a
performer—who can insinuate himself into our head through the ears with seductive
serrations and spot-on character voicings.
Here is where the insidious Santino Fontana makes
his contribution. Santino, I feel like we are on a first name basis after
suffering through this excruciation together, is a wonderful narrator. He is
the only reason many of us will be able to stick it out until the end and
finish this book. He is so good at making this book seem normal, when it is not—it
is a sick twisted thing meant to force you to embrace your most base nature.
And for this reason Santino is largely to blame for my ennui. Were it not for
him I would have bailed on this book before the half-way mark. But because he is
so good at depicting the malignant and profane as completely normal I listened
to the very end—and he even made me think I enjoyed it. I can never forgive him
for that.
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