BLINDSIGHT by Peter Watts
Narrated by T. Ryder Smith
Gothic Horror
Hard Science Fiction
Peter Watts has crafted a novel that is quite unsettling.
The protagonist never seems to be comfortable in his own skin, and since Watts
manages to build a certain empathy for him, you the listener are kept off
balance as well. I really enjoyed the advancing narrative interspersed with
flashbacks exploring the main character’s psyche. I found this novel to be
excellent but difficult to categorize.
Hard Science Fiction Space Opera? Certainly.
Vampire story? Of a fashion, but not in any way the typical
fashion.
Character study? Certainly true of the protagonist.
First Contact Science Fiction? It has all the essential
elements.
Happy ending? Sort of—but only if you think the movie A L I
E N ended on a pleasant note.
Recommended? Yes ! .
When I heard “Audible hopes you enjoyed this program” I was
left with that desirable, but all too rare, sensation that even though I just
had a very enjoyable experience, there was so much more to discover. This book
will require a repeat listen. It left me with the same feeling as some of the
novels of Gene Wolfe—the book ends but, since there is no real closure, the
story lives on in your head like a rogue subroutine awaiting a necessary command.
Blindsight was recommended by Richard K. Morgan (author of Altered Carbon) as
his, “If you only read one book this year,” endorsement. I can now understand.
This will get my recommendation as well, even though I do not pretend to have more
than a rudimentary understanding of it.
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The above was written after my first pass through
Blindsight. I then went on to listen to Peter Watts’ follow-up novel Echopraxia.
Then, after finishing Echopraxia, I listened to Blindshight a second time. One reason for this experiment at repeat
listening is that I find so few well-written serious modern Hard Science
Fiction novels; this being one, I wanted to experience it again. The impact of
the horror element for me was much reduced the second time through. I was more
focused on the use of scientific concepts and less emotionally involved. I was fascinated
at Watts’ ingenious utilization of scientific concepts to advance his
psychologically driven story. The story is now more comprehensible to me after
a second listen, although, because of that greater understanding, I was more
settled mentally and, therefore, less susceptible to the gothic horror elements
that so impacted me during my first listen. This is a novel that will appeal to
lovers of psychological thrillers and space opera fans alike. In fact, this is
an exemplary SF novel that I will recommend to those who think that Science
Fiction novels do not have anything to offer.
I had not listened to anything narrated by T. Ryder Smith
before Blindsight and so was pleased to discover that he has a deft way of
blending-in seamlessly with the text; giving each character a subtly distinct
voice. He is not as dramatic as some of my favorites but is, in his own way,
top notch.
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