THE CIVIL WAR: A NARRATIVE, Vol 1, Fort Sumter
to Perryville
Narrated by Grover Gardner
THE CIVIL WAR: A NARRATIVE, Vol 2, Fredericksburg
to Meridian
Narrated by Grover Gardner
THE CIVIL WAR: A NARRATIVE, Vol 3, Red River to Appomattox
Narrated by Grover Gardner
Compendium of Facial Hair and Human Tragedy Dispassionately
Told
This is a review of all three volumes, consisting as they do,
one massive narrative history. Having read several listener reviews and having
watched Ken Burns’ PBS series on the Civil War in which Shelby Foote is a
frequent contributor, I was anticipating a masterful immersion into Civil War
history. I was, however, disappointed at the disjointed and disoriented feeling
these books gave me. Hearing brief segments of Shelby Foote on video explaining
the stories of the Civil War is rich and fantastic. His Southern drawl is warm
and interesting. But hearing Grover Gardner read Shelby Foote’s words is a
quite different experience.
Perhaps it is the massive scope that this work attempt to
encompass. There are a very great number of military campaigns to relate and a
cast of thousands to profile. The political currents are covered and are the
best parts of this work. The battles scenes seem to blur together—this could
very well be an accurate sensation of the confusion and fog of was—but as a
listening experience, confusion is not one of my goals.
Foote is obsessed with the descriptions of the men involved
in the great struggle. His description of the facial hair of the various military
commanders borders on obsessive and would be sufficient for a police sketch-artist
to provide an accurate drawing of the perpetrators General—would that he spent
as much of his talents on providing equally perspicacious accounts of the details
of the various military campaigns.
In all, the trilogy covers a lot of ground, relating the
Civil War in a series of smaller anecdotal accounts of various other elements,
political campaigns, military campaigns, and soldiers camping out in the field
waiting for the order to suffer the pains of battle. I can say that I learned a
lot from this work but I found myself trying to place the various tidbits of
knowledge within the framework of the Civil War that I already had in my head.
This work did nothing to modify or improve the framework of Civil War
understanding that watching Ken Burn’s PBS documentary had placed there years
ago, and so I consider it a failure in being a definitive history of the War Between
the States. I just finished listening to 132 hours of material on the Civil War
and I feel as if I need to again watch the Ken Burns documentary to put thins
back in historical perspective.
For examples of successful narrative histories in three
volumes you may want to listen to Richard J. Evans’ insightful Nazi history in
three volumes: THE COMING OF THE THRID REICH, THE THIRD REICH IN POWER, and THE
THIRD REICH AT WAR. If biography is what you are seeking look no further than
William Manchester’s account of the life of Winston Churchill: THE LAST LION:
VISIONS OF GLORY, THE LAST LION: ALONE, and THE LAST LION: DEFENDER OF THE
REALM—the last co-written with Paul Reid.
The production values displayed in Shelby Foote’s Civil War audiobook
are not up to the average book available here on Audible, or even the average
Blackstone audiobook. There are many shifts in voice tone and timber that are
characteristic of the breaks where edits are made between recording sessions.
In places the edits occur several times within a paragraph. It seems that the
editing choice was made to re-record a little as possible, choosing instead to
insert the corrected words and phrases in place of having the narrator re-read
a corrected section entire. Sadly, this is not the most discouraging word I
have on the subject.
Grover Gardner delivers his
usual perfect diction and impassive monotone delivery. If you love him this
will be fantastic for you. I know he is very popular, the past winner of
several Audie awards. He, for me, is always an obstacle to be overcome. Sorry. find that hearing his nasally voice in my head
for several hours causes my soft palate to elevate as I unconsciously attempt
to sub-vocalize his high-pitch intonations along with his voice in my ear. To
be fair, he is always easy to understand and reads with great pacing. The
timbre of his voice carries well, making it a good choice for listening in a
noisy environment. In fact, having loud ambient noise helps take the focus off
of the voice quality making it easier to tolerate. The problem is that Mr.
Gardner never becomes “the voice in my head” that some listeners find so
desirable. He is too intrusive, an alien infringement on the solace of my
mind. And, what is more, he does not do character voices. I prefer a more
dramatic performance, one that does not try to read to me but that tries to
paint visual images with different voices and characterizations on the canvas
of my mind—a performance. I prize many fiction narrators for their dramatic
talent. Some may say that such melodrama may be fine for fiction but not for
non-fiction. They seek someone to just read the words on the page. I disagree,
seeking over-the-top performances in all my audiobooks.
Yesterday when I knew that my time
with Mr. Gardner was coming to a much anticipated end, I took the opportunity
to play sections of several audiobooks that I had loaded on my phone, to my
daughters at the dinner table to elicit their reactions. (I am trying to
cultivate the next generation of Audible customers.) First I played a brief
section of Christopher Aruffo reading POE, then I played Tavia Gilbert in
HALFWAY TO THE GRAVE, both of whom they thought were excellent. I followed that
with Jonathan Davis’ inspired rendering of SNOWCRASH, Wil Wheaton in READY
PLAYER ONE , Charles Stransky reading RED MOON RISING, Jack Vance delivering
SHERLOCK HOLMES, and then Rob Inglis doing Tolkein. These garnered less
enthusiastic reactions but all were deemed worthy. After these we excerpted
Bronson Pinchot reciting ON STRANGER TIDES and Todd Mclaren doing ALTERED
CARBON, two of my absolute favorites: my daughters concurred. Then, without
fanfare, or warning, I played a bit of THE CIVIL WAR, narrated by the award
winning Grover Gardner…
All three of them burst out laughing. One daughter described the experience as,
and I quote, “like a man with a frog in his throat talking while pinching his
nose.” Aptly put.
